Published by London Wall Publishing as an ebook, hardback and paperback
Gerald Weaver’s debut novel is centred on the mutability of words – specifically, the Word, as revealed to a narrator named Christian by an alluring and snappily dressed female Christ-figure in his cell in Manchester Minimum Security Prison in Kentucky.
The ‘preface’ to the novel, we are told, is written by Christian’s lawyer, who informs us that the book we are about to read has already been previewed and read, translated and mistranslated, appropriated and interpreted by a host of followers in a seemingly endless cycle of hermeneutical exegesis and editorial transformation. A unique claim of the narrative of Gospel Prism is that it is a book that has anticipated, foreseen and incorporated into itself the world it has already altered. It has subsumed many other books and inspired congregations of believers and movements for social change across the globe. We must thus infer it is a divinely inspired holy book, a scripture – a text that is in the world but not of it, in any conventional sense. It is a book that resists ownership, including that of its putative author. Continue reading