Another Excellent Goodreads Review for Farewell Olympus
‘Farewell Olympusis an enjoyable and elegantly constructed romp around fraternal rivalry, family dynamics, literary aspiration, self-definition and the stories we tell ourselves and others. Someone should snap up the film rights.’ See the complete review atGoodreads Review
Somewhere, surely, a psychologist has written at length on the significance and symbolism of humanity’s baggage. In particular, handbags and tote bags can carry us as much as we carry them, and their fetishization as objects of desire and aspiration means we perform our cherished self-identities every time we drape them lovingly over our shoulder or grasp them warily at arm’s length.
The central character in Laurie Levy’s The Stendhal Summer, Alison Miller, carries a lot of baggage on her trip to Europe. She struggles to wrangle her luggage on and off trains, in and out of taxis and hotels, up and down stairs. Alison, 54, is a professional PR writer from Chicago. Her husband George has left her for his latest young conquest, their twins Abbie and Dan are concerned for her happiness, her mother worries Alison will be mugged or worse. Alison has taken the risk of blowing her life savings in pursuit of her great love, the French author Stendhal (Marie-Henri Beyle, 1783–1842), whose biography she plans to write. Her travels take her from Grenoble to Milan, Civitavecchia, Rome and Paris; along the way, she meets old friends, encounters new ones, and is reawakened to the possibilities of life and love.
Reykjavík is a novel of the Cold War and its aftermath which takes as its starting point the Reykjavík summit in October 1986 between US President Ronald Reagan and Soviet General Secretary Mikhail Gorbachev.
Dylan Rose, aged 24, is the foreign correspondent for a New York paper. While in Iceland to cover the summit, he unexpectedly encounters Professor Nathalie Campbell, his former teacher of Russian at Berkeley, who herself meets and falls in love with Russian scientist Andrei Heilemann. Over subsequent decades, their lives criss-cross against the backdrop of the dissolution of the Soviet Empire and the rise of oligarch mobsterism in the new Russia. Andrei’s brother Mikhail is one such oligarch, and his personal/political vendetta with Andrei leads to espionage, danger, persecution and murder.
‘Mistah Kurtz – he dead’: a book review of Apocalypse Chow, a novel by David Julian Wightman
The subtitle to Apocalypse Chow describes it as a ‘remix of Joseph Conrad’s Heart of Darkness’. Pastiche, parody, or whatever we wish to call it is a difficult art, made more difficult if the original is a pillar of the western literary canon of which many people have heard, but few have read. Conrad’s prose is too dense and allusive for contemporary tastes, the novel was written a long time ago, and one has to be prepared to work hard to get to grips with it.
Monkey on a Wire: a book review of 72 Raisins by Nikki Nash
72 Raisins tells the story of Scott Mullan, a Los Angeles-based comedy writer for The Late Enough Show, whose star is the diminutive Dylan Flynn. Scott is fifty and married to Rebecca. They have two children, both of whom are due to start college and are busy choosing – along with Rebecca – where to go. Scott is hoping for promotion to head writer on the show, but his ambitions and his marriage are thrown into turmoil when his agent asks him to read the typescript of a book called Seven Mythic Doorways to Freedom by Ben Doss, with a view to editing it, a suggestion that Scott fears indicates he will never get the job he covets.